In the secret space of dreams, where I dreaming lay amazed.
When the secrets all are told, and the petals all unfold.
Attics of My Life – Grateful Dead
As a writer, I dip into my memories, scrounging around for bits and pieces to create my Frankenstein stories – not literally mind you, just that they’re stories of assembled parts that alone have little value. Before I started writing, I usually considered my memory comprised of things I did or stuff that happened to me, around me or to someone I know.
After writing intensively lo these past eight months, it is clear that my memory also consists of other people’s memories that they’ve injected into their work. Unapologetic, I delve into the trunks and boxes filled with odds and ends from movies I’ve watched and stories I’ve read. Without fail, the book I happen to be reading, the blog posts I’ve read that day, or the web articles I skim creep into my writing.
It usually happens in three ways:
- I find something that strikes a chord with the story I’m writing at the time, whether it be hard research (a cool bit of esoterica that is germane to the story), emotion (yeah, I need to draw that out more in my character), or concept (I like an idea that I want to include, but not in the way it’s presented in what I’m reading).
- I read something that either inspires a new approach or dooms a current one (I find a bit of inspiration from an interview that inspires me to spread my wings a bit and try something I wouldn’t normally do OR I read something that is similar to what I’m working on realize I don’t want to replicate it).
- Something I’m reading evokes a certain feel or flavor that I want to convey in my work, but brings with it trappings I wasn’t prepared to get into (e.g., an ancient monastic setting and the workings of said monastic setting).
At Joanna Penn’s blog, The Creative Penn, a recent post was titled “Why Do Great Writer’s Steal?” She goes on to offer ways a writer experiencing a block can use material to help them jump start their writing. In the beginning of the post she quotes T.S. Eliot:
“Mediocre writers borrow. Great writers steal.” T.S.Eliot
I take that to mean that great writers take something from someone else and make it their own so that it bears little resemblance to the original thing. I hope that’s what it means, because I can’t help but do it. I’m not saying I’m great, but I’m happy to take a concept and bend, twist, paint, burn, smash, or whatever I have to do to it to get it to the point that it becomes I’m searching for.
When I’m having an off writing day – one of the first things I do is flip open a favorite book and read any of the passages that really, really resonated with me. Not necessarily the storylines – but the way the words are written so fluidly together. And I try to capture the same feeling with my next paragraph(s)…
PS I left something for ya on my blog!
This is a fantastic post! It pulls together all the threads of my own writerly scavenging (dare I say) skills that really bring my stories to life.
I like to start with a concept (a fight over something, someone killing some else, two lovers meeting for the first time) then I delve into as many similar books as possible and see how those who have been successful did it. I don’t take character traits or solutions to problems, I just see how they let their mystery/romance unfold and then work with any ideas and mold them into something of my own. It usually works.
It’s good to read a range of similar books to your own and take the best bits, sculpt them into your story, and voila! You’ve hopefully got something that works.
Then its time for the edits and everything you’ve worked towards you have to pick apart. Boo!
I’m glad you enjoyed the post! I don’t know if it was my time in graduate school review anthropology articles or just a function of getting older, but I have a tendency to scrutinize what I read, and more so what I’m writing to see if it is flawed. Usually the answer is yes and then I set to tightening the concepts up and trim away those things that drag the story down. I don’t want my readers getting the furrowed brow and deciding to hurl the book across the room. I suppose getting all that stuff right is an evolving process just like everything else in writing. At least it’s fun to work at it!
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